In my Typography class we have been designing a typeface. :) Honestly it kind of sucks.... but its kind of fun? Maybe...
Assignment
With the aid of FontStruct, design a modular typeface inspired by a historical model. Scan
through old type specimens and closely examine them. FontStruct comes with the limitation that it can only build the letterforms with modular blocks. It is not expected, or desired, that your final typeface be an exact replica. They should feature traits of your source material, like weight, contrast, proportions and emotion.
You may choose any genre you like, from the early humanist serifs, to wild west wood type, to geometric sans serifs. The result can be a hybrid of styles, but be careful not to make a frankenstein. Always remember that type is meant to be read. Complex designs bring more opportunities for distraction. Try to pull from older sources, rather than only contemporary designers.
Process Outline
Also list five keywords that describe the direction (e.g. chunky, airy, soft, hyper, quiet...).
Study your inspiration, and sketch, sketch, sketch the possibilities! Bring all variations, but
present your three strongest ideas. Each should be on a separate 8.5" × 11" page, showing your
base glyphs(nobae), as well as one whole word. Pen or pencil only.
Assignment
With the aid of FontStruct, design a modular typeface inspired by a historical model. Scan
through old type specimens and closely examine them. FontStruct comes with the limitation that it can only build the letterforms with modular blocks. It is not expected, or desired, that your final typeface be an exact replica. They should feature traits of your source material, like weight, contrast, proportions and emotion.
You may choose any genre you like, from the early humanist serifs, to wild west wood type, to geometric sans serifs. The result can be a hybrid of styles, but be careful not to make a frankenstein. Always remember that type is meant to be read. Complex designs bring more opportunities for distraction. Try to pull from older sources, rather than only contemporary designers.
Process Outline
- Moodboards (2 options)
Also list five keywords that describe the direction (e.g. chunky, airy, soft, hyper, quiet...).
- Sketches (3 options)
Study your inspiration, and sketch, sketch, sketch the possibilities! Bring all variations, but
present your three strongest ideas. Each should be on a separate 8.5" × 11" page, showing your
base glyphs(nobae), as well as one whole word. Pen or pencil only.
- Rough Alphabet
- Final Speciman
the specimens for examples and inspiration.
Here are my 2 Moodboards:
Here are my 3 sketches of my directions I could have gone off of:
My printout of my rough alphabet:
Here's also the letter I had the most trouble with:
And lastly my process of my final layout of the alphabet and examples of words and sentences:
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